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Whitney, Citronelle, Alabama Click on image to view larger
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Purchase This Week's Print
Whitney, Citronelle, Alabama is available as an 11"x14" archival pigment print, matted
to fit an 16"x20" frame. Each print is signed by the photographer and is
accompanied by a display, care, and conservation document detailing the process
behind the photograph.
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Image of the Week Fine Art Print Offer
Each week, I post an image from my recent or historical work and talk a little
bit about it; the process, creative thought, and technical details that
contributed to its creation. During the week an image is featured, I offer it as
a Limited Edition Fine Art Print at a special price. Each image is printed
personally by me on the latest Epson printers using archival pigment inks on
acid-free archival paper. The prints are shipped matted and signed and can be
framed using a standard size, off-the-shelf frame from your local frame shop.
Learn more about my fine art printing process.
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Image of the Week
Occam's Camera
Many of you may be familiar with the principle of Occam's Razor, a philosophical and scientific axiom
that is best summarized as, "The simplest solution is usually the best." The principle espouses an economy of ideas
to explain the unknown, encouraging one to whittle away the useless, the irrelevant, and the needlessly complex.
It's a great way to think about photographic composition.
If you think about a scene or subject as a problem and the photograph as a solution, then
the Razor applies. The process of composing a photograph is nothing more than the stripping
away of the extraneous image until you you are left with the core message -- the central
idea -- the simplest idea -- of the scene.
The subject is the unstated message, the photograph is your voice. If you fail to strike
a balance between including too much and too little, the photograph will fail; you might as
well say nothing at all.
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The uncropped photograph
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This week's image was shot with a Hasselblad 500CM, a camera that produces a 6cm x 6cm square
image. Shooting in square is convenient: you don't have to turn the camera on its side for
vertical format. If you want a vertical or horizontal, you crop the square. I usually compose
my images as squares shooting with this camera, but every so often I visualize alternate
crops to enhance the subject's moment.
Compare the uncropped image (above, left) to my cropped version, and let me know what you think.
Technical Data
Whitney, Citronelle, Alabama was photographed with a Hasselblad 500CM and a Zeiss
80mm ƒ/2.8 T* lens on Kodak TMax 400 film (TMY-2). The exposure was 1/250 sec at ƒ/11.
Other Images of the Week
- Beulah in the Carrizo Badlands, Anza-Borrego Desert, California
- Chapel of the Transfiguration, Grand Teton National Park, Wyoming
- Cross-Country Runner Alexandra Krieg, Middlebury, Vermont
- Horse Bath, Morgan Horse Farm, Weybridge, Vermont
- Whitney, Citronelle, Alabama
- The North Window from Turret Arch, Arches National Park, Utah
- Jeff, Middlebury College, Vermont
- Hostas II, Middlebury, Vermont
- Hikers in Coyote Gulch I, Glen Canyon National Recreation Area, Utah
- Ocotillo Shadow, Abandoned Cabin, Anza-Borrego State Park, California
- Moonlit Palms, Anza-Borrego State Park, California
- Park Avenue, Arches National Park, Utah
- Ashton and Whitney, Citronelle, Alabama
- Steven
- Halladay Road III
- Fall colors and ivy-covered wall, Middlebury College, Vermont
- Maple Tree, Middlebury, Vermont
- Jesse Hamner at Grand Prismatic Spring, Yellowstone NP
- Aon Center from Millenium Park, Chicago
- Mountain Biking I
- Boulders II, Canyonlands National Park, Utah
- Hosta Leaves
- Joe
- The Pour
- Skylar
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