Image of the Week: Blacksmith Lee Beckwith, Weybridge, VermontWhen you're shooting on location, the location is your studio, an overcast sky is your softbox, and whatever structure you can find is your background. Cloudy skies provide beautiful, directional, even light that fills in under brow ridges and chins. However, it's often difficult to get separation between the subject and background unless you can find a background in different light than your subject. One sure-fire method is to frame your subject inside the doorway of a building and let the light falloff into the building interior provide the dimensionality you seek. In this photo, a window on the other side of the barn provides a low-intensity, textured gradient of light across the floor. Pay attention to your surroundings when on location, because very often you'll find natural lighting conditions that'll trump your roller case full of lighting gear. Have questions or comments? Send me an email. Technical DataBlacksmith Lee Beckwith, Weybridge, Vermont was photographed with a Hasselblad 500CM and a Carl Zeiss 80mm ƒ/2.8 T* lens on Kodak TMax 400 (TMY-2). The exposure was 1/125 second at ƒ/8. |
Purchase a Fine Art Photographic PrintBlacksmith Lee Beckwith, Weybridge, Vermont is available as an 11"x12" archival pigment print, matted to fit an 16"x18" frame. Each print is signed by the photographer and is accompanied by a display, care, and conservation document detailing the process behind the photograph. |

